In this Behind the Curtain interview ahead of his role as the title character Figaro, Jon Robyns speaks more about the upcoming world premiere
of Figaro: An Original Musical, at The London Palladium next February!
Can you tell us about Figaro: An Original Musical? And what made you say yes to doing this project?
It’s a dark and seductive psychological thriller. The story follows Sienna as she travels to escape her life and finds a mysterious showman who reveals truths to her about herself and what haunts her. It’s a very clever study of the psychosis and dilution of a young girl. Whether it’s real or a figment of her imagination is for the audience to decide. Mainly, what attracted me to the part is how singable the score is. Ashley Jana has crafted a very impactful and melodic set of songs and I’m looking forward to singing them live.
You have played many great roles in your career. What have you learnt from your previous projects that you are taking into this one?
I try and learn something from every job and part that I’ve done in my career. Sometimes it’s been about how to be in a company, sometimes a more vocal technique based lesson or even how to plan my meals. We never stop learning.
How does it feel to be part of this World Premiere Performance? And what should the audiences expect?
I’m incredibly excited to be part of new show. It’s always an honour to be trusted with bringing a character to life for the first time. Audiences can expect an evening of spectacle and excitement. Also, that facing our demons is the only way forward, no matter how painful it can be.
You are playing the title role in the show. How would you describe ‘Figaro’ as a character and do you think the role has similarities to other roles that you have played?
I don’t think Figaro is like anyone I’ve played before. We can always look for aspects of a character to relate to and I’m having to dig in quite dark places for this guy. It’s a lot of fun.
The show is brand-new, what pressure does this add when you are performing and rehearsing the material as opposed to something well known? And what does this show have that will appeal to audiences?
Brand new musicals, especially pieces not based on existing stories or songs, are very rare. They really are the holy grail for actors. It gives us an opportunity to shape a story and character in any direction. When we recreate the work of another actor, possibly from decades ago, it is important to honour the discoveries and decisions they made in the creation of that role, which is a skill in itself. It’s like you’re climbing a mountain and with existing roles such as Valjean or Phantom, lots of people have laid out a path for you to follow. With new writing you have to figure out your own path to the top. It’s harder and a new challenge, but there’s no wrong turns.
Was there a show that started your love of Theatre? If so, what show and why?
It’s Les Mis now and forever. It will be timeless and relevant and impactful for generations because it’s about hope and what it is to strive.
Has there ever been a time where the industry has gotten tough and you thought about giving up? If so, what made you want to carry on with performing?
Sure. Everyone in the arts questions why they do what they do. The main issue for actors is the lack of control of your own life. Very few actors get to pick projects and shape their careers, most have to wait to be asked. This can be hard but it’s what we accept. Also, this is my job. It’s how I provide for my family. Sometimes we go to work for ourselves and sometimes for those we love.
What is it about theatre and the industry in general that you love and what do you think has changed since you first started?
I am a firm believer that live theatre is the most moving and effecting art form. That’s why I do it. To move people, either intellectually or emotionally. Lots has changed since I started. The integration of social media is a massive factor. Also movement towards a greater recognition of the mental health of theatre professionals has been a big step forward.
What are you looking forward to the most for the 2-night only debut of the show?
Performing with what I know to be a top class company in THAT venue. Can’t wait.
Describe the show in one sentence or three words.
Dark. Seductive. Impactful.
Figaro: An Original Musical will receive its world premiere in London with two fully-staged concert performances on Monday 3 February & Tuesday 4 February 2025. Tickets are on sale now at:
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