AD | Ticket gifted in exchange of an honest review
Cry-Baby, The Musical was first originally produced on Broadway by Adam Epstein, Allan S Gordon, Élan V. McAllister, and Brian Gazer. This production at the Arcola Theatre marks its UK premiere, and it certainly delivers in style. Directed by Mehmet Ergen and based on John Waters’ cult-classic film, the show brings the 1950s world of Baltimore to life with energy and flair, blending camp, political satire and rockabilly energy.
Set against the backdrop of 1954 Baltimore, Cry-Baby follows Wade "Cry-Baby" Walker (Adam Davidson), a rebellious yet lovable "drape," and Allison (Lulu-Mae Pears), a "square" who falls for him despite her conservative upbringing. The clash between the two worlds—the "drapes" and the "squares"—drives the narrative, underscoring issues of class, rebellion, and youthful defiance.
Mehmet Ergen and the company use the thrust stage effectively, with live musicians positioned above, adding to the immersive experience. The clever use of stairs and audience interaction blurs the lines between the story and the audience, making us active participants in the drama. and what is “A rollicking, rockabilly-infused political satire.”
The book by Mark O'Donnell and Thomas Meehan is a true delight, packed with quick wit, sharp puns, and biting social commentary. The songs by David Javerbaum & Adam Schlesinger like "I’m Infected"are both hilarious and insightful, with lines like “I’m anemic (pause) that’s unconnected” perfectly capturing the absurdity and rebellious spirit of the characters, while cleverly poking fun at the teen musical genre—Grease fans will certainly appreciate the affectionate parody. But Cry-Baby is more than just camp and satire; it tackles the political climate of both 1954 and today with striking relevance. The number, "Thanks For The Nifty Country" lampoons political hypocrisy, while "Nothing Bad’s Ever Gonna Happen Again" balances humour with deeper reflection, touching on issues that still resonate today—especially in light of recent political shifts in the U.S. (and even closer to home), from conservative reforms to the rise of far-right politics and the changing global order. These sharp parallels run throughout the show, ensuring that while the audience is laughing, they’re also contemplating the social and political themes woven into the narrative.
Adam Davidson shines as the title role of Cry-Baby, with 'I’m Just a Little Upset' showcasing his Elvis-meets-Johnny Depp charm. Pears’ with Lulu-Mae Pears as Allison is a revelation, with a voice that commands attention and a presence that lights up the stage. Chad Saint Louis, as Dupree, steals scenes with his powerful vocals. The entire ensemble, full of personality and passion, delivers electrifying performances that make every moment on stage feel alive. "A show that blends outrageous campy fun with sharp political relevance.”
Cry-Baby is a perfect storm of humour, politics, and heart. It is campy, fun and a biting social commentary all wrapped in one, with songs that you will be humming long after you leave the theatre. The stellar direction, stunning costumes (Defne Özdogan), vibrant performances, and infectious energy make it a stand out experience—one that speaks to both the past and the present in ways that are impossible to ignore. Don’t miss it!
★★★★★
Cry-Baby, The Musical plays at the Arcola Theatre until 12th of April.
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